![]() I created her, I knew her backstory, and I kind of felt a parental obligation that she should be at peace. I walked out of the theater feeling very concerned that Dory’s issues weren’t resolved. With Finding Dory arriving on the home entertainment market this week, Digital Trends spoke to the visionary filmmaker behind some of Pixar’s most beloved films, Andrew Stanton, who wrote and directed Dory, to find out more about what went into making this phenomenally successful fish story, and what the future has in store for both Pixar and one of the studio’s most prolific creators.ĭigital Trends: Of all the colorful characters introduced in Finding Nemo, why was Dory the one to get her own film?Īndrew Stanton: The only reason I made a sequel is because I was watching Finding Nemo about eight years later - I hadn’t watched that movie in a very long time - and it gave me a level of objectivity I probably never had with the film before. ![]() So, what’s the secret to the film’s success? The film matched its epic success at the box office with overwhelmingly positive reviews from professional critics and general audiences alike, making Finding Dory one of the year’s biggest cinematic success stories. The long-awaited sequel to 2003’s Finding Nemo, Finding Dory tells the story of a fish on a quest to find her parents - a fish who can’t help forgetting everything and everyone she encounters along the way. That’s one of many lessons to come out this year’s box-office reports, with Pixar’s animated sequel Finding Dory swimming into the record books as the most successful animated film of all time in the U.S. Never underestimate a fish with short-term memory loss. ![]()
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